by Andy Doubt Raiser
London, November 2008
The claims that the population of African origin in Argentina was exterminated in an act of genocide are absurd and they deserve a place next to extraterrestrial kidnappings and the staging of the moon landing in an Arizona undisclosed location, under the heading of looney tunes hoaxes. Currently 10%, around 1.4 million of the population of Buenos Aires has African heritage. In 1810, black and mulatos totaled 9,615 [42% of the population], therefore, in 200 years, the number of individuals with African ancestry in Buenos Aires has gone up 142 times!!!!! This confirms the claims of those who attribute the “disappearance” of blacks to consensual interracial marriages among other things.
The slave trade was made illegal in 1810 with independence from Spain, Then in 1813, came what was known as the “Ley del Vientre”, declaring free anybody who from that day onwards landed on Argentine soil, whether from abroad or from their mother’s womb. Clearly it made no difference to those who were already slaves at the time, who had to wait another 40 years, until slavery itself was made illegal, in the Constitution of 1853 to acquire their freedom.
The Constitution of Argentina, to this day, has a racist foundation: Article 25. “The Federal Government shall encourage European immigration; and may not restrict, limit or burden with any tax whatsoever, the entrance into Argentine territory of foreigners who arrive for the purpose of tilling the soil, improving industries, and introducing and teaching the arts and sciences.” Imagine the audacity of these people wanting to attract laborers, artisans, artists and scientists. What’s next, restrictions to terrorists, or tango teachers like the US and the UK have done?
There is a precedent out there. Domingo Sarmiento, abhorred blacks with their candombe processions because he was painfully aware that white men can’t wave and shimmy. His dream was to populate and civilize like the British Empire and the rising US had done. To that effect he toured extensively both countries to copy their educational system and their immigration policies. Natives and Negroes were systematically eliminated, and Argentina was the success story of genocide, well in front of Custer and the 7th Cavalry, Apartheid and Adolf Hitler. If you think this is absurd wait until I tell you about the yellow fever epidemic.
The yellow fever epidemic of 1871 started in 1871. Biological warfare had already been used against the Indians; indeed, in the first 100 years of their occupation of the Americas, the Spaniards eliminated at least 80% of the native population, with the diseases they brought with them. The authorities encircled the Negro barrios with the army holding hands after releasing a swarm of mosquitoes and mowing down anybody trying to escape with a blunt instrument called the bandoneon, invented by Hitler’s grandfather in a white supremacist region of the Bavarian Empire.
What does this have to do with tango? Probably nothing. The tango doesn’t come from Africa.
With so much persecution, genocide, extermination, chemical warfare, and every known or to be invented methods of extermination used against them, how did the black population find the time to go dancing? With such impossible living conditions how did they manage to develop such a unique and complex choreography? How was it possible to create such a alluring music with their typical drums?
Not only that but how did they manage to impose their cultural preferences to the great majority of Europeans and Creoles who were so busy exterminating them, yet couldn’t help stealing their dance moves and cultural roots instead of using their power and wealth to create something on their own.
How did they do it?
Andy is a fiction writer specializing in the inclusion of fantastic elements in a self-coherent setting where any location of the fantastical element is possible. In addition, he is the European record holder in Conclusion Jumping and Tall Tales category.