A NEW YORK TANGO LESSON

One of my reliable sources in the island of Manhattan called to tell me about a manifesto to the Tango community posted on the ultra censored and anally moderated New York tango group by Rosa Collantes, who has been teaching, performing and working hard to build up a solid reputation since 1992.

Apparently Rosa, who “normally don’t bother reading any kind of gossip” found out “that Junger Pichler is pointing his finger against Pablo Veron. He is saying that Pablo Veron attacked an innocent woman, first lie.” She is no innocent woman.

It looks like Mr. Veron and his entourage were sitting and talking when a lady aggressively began asking him a bunch of ridiculous questions. Miss Rosa and Mr. Veron told her something about tango etiquette and she responded I’M RUSSIAN AND WE DON’T CARE ABOUT NO STINKING ETIQUETTE.

The point is that Miss Rosa saw clearly that Mr. Veron was sitting down while Miss Russia was bending over him with her finger in his face telling him to get up and dance. “She called him from egocentric to arrogant and finally called him a PIG.” Pablo said “and you are a stupid bitch.” “Then she hit him square across the face. He reacted and slapped her back.“

At this point Miss Rosa suffered what is clinically known as cholula’s blindness, a temporary loss of rational thinking, as one moment Mr. Veron is slapping Miss Russia and the next moment Miss Russia “is suddenly on the floor. How she got there, she is the only one who knows.“

Miss Rosa finishes her eloquent manifesto by proclaiming,

“I don’t see why Pablo needs to apologize. She started, she went out of her way to bother him and provoke him.”

That bitch had it coming is what she really meant, but Peruvian ladies are well known by their good manners.

So there you have it all aspiring leaders out there, a lesson is to be learned here. Work hard to become an arrogant and selfish celebrity, surround yourself with obsequious followers and feel free to slap every bitch out there as long as they misbehave and deserve it.

HEAR THE JUDGE SPEAK UP

Gabriela Elia, was one of of the judges at the Finals of the salon tango competition recently held in Buenos Aires. She is an educator, and together with Eduardo Perez they are the principal dancers and directors of the Mariano Mores’s company ballet. She is also the organizer of the milonga La Baldosa in association with Eduardo Perez, Horacio and Alba Fiorentino.

In an interview that appeared on the September issue of Punto Tango she comments on a variety of issues concerning the salon tango competition.

How is salon tango evaluated?

In salon tango one looks for the presence of tango in the dance. What does that mean? Musical quality, the embrace, the cadence, walking, the elegance, the style and the technique.

How did you see the competition?

I believe that today there is a unified style in what’s considered salon tango. That’s why I want to recognize the milongueros who danced together in an exhibition the day of the finals, there you could see the diversity. This year only young couples reached the finals. That’s wonderful, but they all danced the same way. It is not their fault, it is the style that is being awarded. Everybody who danced different, something that is also authentic and valuable, did not advanced to the finals. Then there was a final with identical tango styles and is therefore very difficult to evaluate.

Is there anything that needs improving?

The salon tango and the stage tango cannot be evaluated from the same distance. The judges were very far. We should have been 10 feet from the dancers, and not to 60 feet. The salon tango is a reflection of the milonga, and as such it has to be appreciated form a close distance. Imagine if they could set up the Luna Park as a real milonga with the dance floor in the center like a boxing ring with all the people sitting around. It can’t be that complicated and it’d preserve the characteristics and the essence of what’s being this evaluated.

Weren’t the rounds too crowded?

There were too many people in each round, 11 couples dancing three tangos is too much. In my opinion they should limit the number of couples per round to eight.

There were some complains about the music used for the finals

If we agree that the salon tango is a representation of the music that’s played at the milongas, then the music selection for the finals left much to be desired.